Tragedy

Tragedy, is an element, which is incorporated in many pieces of books to generate pas eon and diversity for the reader. Tragedy, a serious play or gaming typic each(prenominal)y dealing with the problems of a central character, leading to an joyless or disastrous decisioning brought on, as in antiquated drama, by fate and a sadalal defacement in this character, or, in upstart drama, usually by moral flunk (World, 1418). Tragedy is an caricature non only of a endure laid action, but withal of incidents arousing tenderness and fear. Such incidents hace the precise superior effect on the reason when they occur unexpectedly and at the same time in consequence of one and only(a) new(prenominal); t hither(predicate) is much of the terrific in them then than if they happened of themselves or by mere mishap (Sense, 12). In Macbeth, Carrie and in the communication channel of the Martyrs, discovery of cataclysm is basically shot into your face. Tragedy in t hese three cases world very app arnt thus makes analyzing these pieces of literature to retrieve the boosters tragic disgraces, which leads to their hastiness much(prenominal) simplistic.         Macbeth, a play by giveiam Shakespe be, contains such an excellent role model of a protagonist with a tragic flaw, which leads to his own downfall. Superficially, Macbeth earnms to choke to a more conventional mode, and on one aim it is much more straightforwardly a play nearly an ambitious prince who overreaches himself in murdering the superpower, and who brings ab out his own downfall in the end (Focus, 8). Macbeth cosmos so ambitious tries to become king by killing the king Dun potty himself. He is so control by his wife and by the witches that he yettually does non let anything stand in his way and proceeds to bank check the throne. There is a very fine distinction to be made in the initial presentation of Macbeth, in his firstborn response t o the prophecies of the witches. The questi! on is wether or no they are debate upon a mind that has already considered and half-formulated desperate and ambitious de indicates. The inclination of late, in criticism as upon the stage, has been to accept this preparation of Macbeths mind and nature for temptation. Such an interpretation is in melodious harmony with conception of tragedy as the outcome of a tragic flaw in character, the flaw here being his ambition (Justice, 12). 1 As stated Macbeths flaw is his ambition, he is so upbeat due to the fact that he is instantaneously the king and beca habit the witches told him Macbeth shall never vanquished be until/ Great Birnam timber to mellow Dunsinane Hill/ Shall come once morest him (Macbeth, IV, i 92-94). Therefore Macbeth doesnt recollect he can lose his titles or be killed. and then he continues with no thought of danger in his mind and this, eventually leads up to his unfortunate and tragic closing. Clifford Da vidson discusses Macbeth as tragedy, not according to Aristotles definition, but according to the heathen and apparitional beliefs of Shakespeares time. Davidson argues that hypocrisy is Macbeths sin, which deprives him of sensitivity and makes him a despot guilty of great wrongs. Rather than feeling pity and true(p) leave behind for the protagonist at the end, the estrange audience judges Macbeth and descent only that he has deep in thought(p) all goodness (Readings, 91). Macbeths ambition and hypocrisy are a combination of twain tragic flaws that leads him, the protagonist, to his own death in the end.         Carrie, a science-fiction fabrication, is other great example of a protagonist with a tragic flaw, which leads to her own downfall in the end. Carrie, is about a high coach girl named Carrie who is al shipway teased by her peers and develops telekinetic powers. One of her classmates, Susan gets her associate Tommy Ross the schools stud to ask Carrie to the spring ball. Susan does this as ! an attempt of repaying Carrie for all the nasty things she has gaine to her throughout their adolescence. If you dont have a date for the Ball, would you involve to go with me? Tommy asked Carrie. No, she said, and in her sudden contemplativeness she could have been mis take outn for beautiful. It will be a nightmare. Will you? Yes, she said with angry helplessness. You knew I would (Carrie, 87). Carries tragic flaws here shows naivete and compulsivness, thinking subsequently all of these years of tormenting she dead became popular. She goes to the ball with Tommy toward the end of the novel and she gets humiliated in await of the entire school as she is cover in merry pigs blood. She cracks and flips out and uses her telekinetic powers to collapse the entire lyceum and kill everyone but herself. Escaping she goes certifyrest home and lashes out again and kills herself along with her own mother. In this science-fiction tale, Carries tragic flaw is her naivete, whi ch leads her to her own death in the end.

        The Blood of the Martyrs, is a niggling story that brings out, once again a protagonist with a tragic flaw, which leads to his own downfall in the end. Professor Malziuz a old scientist, is taken forth from his lab and tormented as a prisoner by the frequent and the dictator who were pursuance information about his colleagues and friends. Malziuz continuously demands to return to his research and does not give any of his peers up. Malziuzs perseverance is frustrating the General and the Dictator by not wanting to help them and this eventually comes down to a sustain chance for Malziuz. They wa! nt Malziuz to sign papers, so he can do research to boot out that woman must convey soldiers, along with other mirthful things. Malziuz being a Martyr, takes the inkstand that he was suppose to use to sign the papers and throws it in the Dictators face. The Dictator shocked and frustrated tells the guards to take the professor out back and to kill him. A schoolboy covered with ink, he muttered through his disoriented teeth. A hysterical schoolboy too. solely you cannot kill truth. They were not good last words, and he knew that they were not (Arch, 227). Malziuz was tragically killed due to his persistence to protect others and also because of his potence to stand for what he believed in.         Macbeth, Carrie and The Blood of the Martyrs butt against the utmost great examples of tragedy. In this case, the main focus here being the protagonists, we get a chance to really see how these three protagonists are so different in ways and yet so like in ot hers. When comparing Macbeths feats and image to the other protagonists, nothing is really identical. Carrie, being the laugh stock of her school and Malziuz, an old man isolated from confederation make them very different. However after analyzing them on a basis of their tragic flaws we come to notice that their drive is one thing that cogitate them all together. Unity in the making, by fabricating such energising situations we come to realize that its not the persons identity element that counts but their internal attributes. Macbeth, Carrie and Gregor Malziuz, all fail due to similarities in their tragic flaws even though they are not similar people at all. Conclusively we notice that all protagonists in tragedy, have tragic flaws which leads them to their own downfall in the end.                   If you want to get a full essay, order it on our website: O rderCustomPaper.com

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